“I have to be a fan of something, or I’m nothing,” she moans. More occasional eye-rolling ensues over the oh-so-earnest portrayal of Kelly Ann (Imogen Poots), a roadie who has become disillusioned with the state of the music biz. He’s such a utter caricature that I found myself rolling my eyes any time he spoke. Predictably, he’s all about branding and marketing, and he doesn’t know much about music (he calls Mumford & Sons “The Mumford Sons”). They also have to be on the lookout for a crazy female stalker and deal with a gun-toting crew member who apparently is involved in some kind of criminal activity.Īll this, plus there’s the arrival of a ruthless, penny-pinching financial adviser (Rafe Spall), who is about to make life difficult for the crew and the band. It’s not enough that they have to rig up the lights, speakers and sound boards and cater to the eccentric whims of the musicians. They are part of a large gang of music-loving folks who seem to be in constant crisis-control mode. Clearly, we’re meant to conclude that there are still some sparks between Bill and Shelli, but early signs of any genuine chemistry are sparse. Meanwhile, Shelli is married to a guy who is off working on the Taylor Swift tour. These days, Bill tends to have hotel sex with women half his age. So with that pedigree, “Roadies” should really rock, right? This, of course, is familiar territory for Crowe, a former contributing editor for Rolling Stone and the Oscar-winning screenwriter of “Almost Famous,” the beloved semi-autobiographical tale about a teenage music journalist who goes on tour with an up-and-coming band. Abrams were teaming up to produce “Roadies,” a Showtime dramedy about “the reckless, romantic, funny and often poignant lives” of these unsung heroes. So you can imagine how stoked I was to learn that Cameron Crowe and J.J. While attending numerous rock ‘n’ roll concerts during my teen and college years, I often fantasized about working among the “roadies” - the backstage personnel that drive the trucks from town to town, haul in the equipment and basically set the table for a night of musical magic.Įven years later, when I covered the Warriors as a beat writer, I would occasionally hang around the arena after the team finished practice just to watch the roadies roll in and transform the basketball court into a concert venue.
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